Stop and Smell the Bacon Jessica L.L Dalva 20 x 23 in

20 x 23 in

by Martin Handford | Where's Waldo

first published in 1908

human beings have become the biggest variable in the changing nature of the natural world

New Mexico where she currently resides and actively pursuing art

Stop and Smell the Bacon Jessica L.L Dalva 20 x 23 inDetails About Oil on paper 6 x 6 in. 2017 10 x 10 in. (f) Brian R. Donnelly s portraiture deconstructs the dialogue between the audience and objects by experimenting with the fragile nature of artwork. Faces deteriorate, separate, and occasionally combust in his work, redefining it as transitional rather than perpetual. Presenting fading memories instead of permanent effigies Donnelly draws a parallel between the fragility of artwork and the ephemeral